9:00-10:00 Registration
10:00-10:30 Inauguration and welcome addresses Bar-Ilan University

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Session I: Musical Corpus Research Today: Projects, Problems, Challenges
    Chair: Eytan Agmon, Bar-Ilan University

 

• 10:30-11:45- Martin Rohrmeier, École Polytechnique Fédéral de Lausanne: Corpora and Model-driven Music Research

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11:45-12:00 Coffee break

 

• 12:00-13:15- Dmitri Tymoczko, Princeton University: What Can We Expect from Corpus Studies?

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13:15-14:30 Lunch break

Session II: Data-Driven Research as a Means of Analytic Revision

    Chair: Uri Rom, Tel Aviv University
 

• 14:30-15:45- Daniel Shanahan, Ohio State University: Measuring the Immeasurable in Music

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15:45-16:00 Coffee break

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• 16:00-17:15- Yoel Greenberg, Bar-Ilan University: Deconstructing and Reconstructing Traditional Formenlehere Concepts through Corpus Studies

Session III: Algorithmic Methods
    Chair: Alon Schab, University of Haifa

 

• 9:30-10:00 Christoph Finkensiep, École Polytechnique Fédéral de Lausanne: A Graph Representation of Hierarchical Voice-Leading

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• 10:00-10:30 Mathieu Giraud, Université Lille: Reference annotations for Bach fugues and Mozart string quartets; encoding with Dezrann, benchmarking MIR algorithms

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• 10:30-11:00 Daniel Harasim, École Polytechnique Fédéral de Lausanne: A Data-Driven History of Major and Minor

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11:00-11:15 Coffee break

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• 11:15-11:45 Fabian Moss, École Polytechnique Fédéral de Lausanne: Tracing the History of Tonality with Note Distributions

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• 11:45-12:05 Dror Chawin, Tel Aviv University: Sliding-Window Pitch-Class Histograms as a Modeling Tool of Musical Form

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12:05-13:15 Lunch break

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Session IV: Short Presentations (1): Computational Methods
    Chair: Markus Neuwirth, École Polytechnique Fédéral de Lausanne

 

• 13:15-14:30 Matan Ben-Asher, (Bar-Ilan University) Assaf Brown (The Hebrew University of Jerusalem), Adam Yodfat (The Hebrew University of Jerusalem), Aviel Sulem, (Bar Ilan University)

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Session V: Forging Bonds (1): Music – Language – Grammar – Perception
    Chair: Daniel Shanahan, Ohio State University

 

• 14:45-15:30 Yoav Goldberg, Bar-Ilan University: Deep-learning methods for modeling human language

 

• 15:30-16:15 Zohar Eitan, Neta Maimon, Tel Aviv University: Cross-modal associations of Tonal Stability

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Concert (1): 

16:45-17:45 Carmel Quartet: Paul Ben-Haim, Mozart

19:00 Conference Dinner: registration required 

 

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9:30-10:00 Welcome addresses: Tel Aviv University

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Session VI: Cadences and Musical Punctuations as Corpora
    Chair: Zohar Eitan, Tel Aviv University

 

• 10:00-11:15 Markus Neuwirth, École Polytechnique Fédéral de Lausanne: Statistical Explorations of Harmony and Cadences in the Annotated Mozart Dataset

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11:15-11:30 Coffee break

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• 11:30-12:45 Nathan Martin, University of Michigan: Cadence and Formal Function

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12:45-14:00 Lunch break

Session VII: Cadences and Musical Punctuations as Corpora (2)
    Chair: Yoel Greenberg, Bar-Ilan University
 

• 14:00-15:15 Ben Duane, Washington University, Saint Louis: Bayesian Learning of Tonal Cadences from Harmonic and Melodic Cues

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15:15-15:30 Coffee break

 

• 15:30-16:45 Uri Rom, Tel Aviv University: Musical Punctuation and Temporality in a Corpus of Mozart’s Sonata Expositions

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Session VIII: Short Presentations: Diverse Musical Corpora
    Chair: Dmitri Tymoczko, Princeton University
 

• 16:45-18:00 Miri Blustein (Tel Aviv University), Mathieu Giraud (Université Lille), Ziv Kaplan (Tel Aviv University), Ana Llorens (Instituto Complutense de Madrid).

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Concert (2)
18:15-19:00 TAU Voice Students: Israeli Art Songs

Session IX: Forging Bonds (2): Corpus Studies and Formenlehre

 

• 9:30-10:45 Jan Miyake, Oberlin College: Syntax and Form in Haydn’s Symphonic Last Movements

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10:45-11:00 Coffee break

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• 11:00-11:30 Omer Maliniak, Bar-Ilan University: From solo passage to “solo exposition”: New key establishment and the evolution of the second theme in eighteenth-century concerto

 

• 11:30-12:15 Yosef Goldenberg, Jerusalem Academy of Music and Dance: Schubert’s short dances for piano solo; intra-corpus norms and recurring artistic devices

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12:15-13:30 Lunch break

Session X: Forging Bonds (3): Corpus Studies and Musical Topoi
 

• 13:30-14:15 Bella Brover-Lubovsky, Jerusalem Academy of Music and Dance: Vivaldi lament bass, sequence, tonal schemes

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• 14:15-15:30 Olga Sanchez, University of Chicago: Music-Dance Relations in the Classical Minuet: Using Corpus Analysis to Identify Genre-specific Strategies

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15:30-15:45 Coffee break

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• 15:45-16:30 Final Panel Discussion – Musical Corpus Studies Tomorrow Excursion (open to all participants)

 

• 17:30-19:30 Felicja Blumental Music Center Music Center & Library, Historic Tel Aviv